I know that is a lot said about a plugin, but I don’t say it lightly and I stand by my words. It pumps and squeezes but instead of squeezing the life out of things, it gives them new life. It makes things sound big, fat, round and tight. The Omnipressor is the analog juice of the gods. If you’re looking for clean sounding plugins, these are not for you.I have paid for the Omnipressor myself and for me it’s absolutely justifiable as it gets a lot of use. But you are paying for some pretty elusive sounds. I haven’t come across anything else that sounds quite like the Omnipressor or the H910 in particular. You get some characters and specific effects that aren’t available elsewhere.Extra controls have been added that make sense in todays world.
WHAT IS EVENTIDE H910 HARMONIZER & 2016 STEREO ROOM FULL
I’ll give you the quick summary first, then my impressions on each plugin, and finally a full conclusion in detail. I’ve been using these plugins in my productions now daily for about a week. With one exception, I had never used the units in this bundle before so I was super curious to check them out. The units Eventide have modelled here are quite legendary and date between 19. H910 Harmonizer (plus a dual version which can create further effects).The Clockworks bundle brings you eight plugins, each modelled after vintage outboard units: It really helps and you get many nice benefits. If you wish to see less sponsored content, please consider supporting the work I do directly via Patreon.
They were offered to me by Eventide to work with them for a while and then write a review only if I wanted to. It’s very good.ĭisclaimer: Except for one plugin I already owned, I didn’t pay for these plugins. I also used it to detune room Mics on a drum kit recorded in a small room.Eventide recently hooked me up with their new Clockworks bundle to try. I would occasionally use it to manually pitch down a drum full for a wild effect. Guitarists used it all the time as an effect by turning up the Feedback control for a wild tunneling effect. It was perfect for a double track effect on the lead vocal by slightly shifting the pitch and adding a short delay.
That grainy low bit musical 910 sound disappeared on all later models. I don’t think there was one record that I mixed during the late 70’s and early 80’s that didn’t have the 910 somewhere on the mix. Read More…įor the creative recordist, or sound-show manipulator, or serious student of musical sonics and speech patterns the Harmonizer also has unexplored potential for both investigating and creating a myriad of possibilities. Quirky, exotic and a bit unpredictable, the H910 just sounds beautiful…It’s a plugin that really favors experimentation and that can deliver some unexpected results, so don’t be afraid to try on things you wouldn’t initially expect to work. This version recreates the popular technique of running two H910 units in parallel to create lush doubling and other interesting effects. When you purchase the H910 Harmonizer plug-in, you also receive Eventide’s exclusive H910 Dual Harmonizer. At extreme settings, you can create unheard-of mechanical sounds, drone effects or robot language using self-oscillation, delay, and anti-feedback. Use the H910′s pitch changing ability to create specific musical intervals and perfect harmonies, spread guitars, fatten snares, apply subtle organic de-tuning to synths or add slap-back delays to vocals. Simply put, nothing sounds quite like it.Ī powerful creative tool, the H910 plug-in for AAX, VST and AU is a faithful recreation of the original hardware.
With its unique combinations of pitch shifting, modulation and delay, the H910 can be heard on countless ground-breaking works by artists from AC/DC to David Bowie to Frank Zappa. The H910 Harmonizer was the world’s first digital effects processor.
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